Cinema Verité
Serú Girán
The Voyeuristic Gaze of 'Cinema Verité'
The song 'Cinema Verité' by Serú Girán, a renowned Argentine rock band, delves into themes of observation, superficiality, and the human spectacle. The lyrics paint a picture of a detached observer, equipped with dark sunglasses and headphones, who is watching the scenes unfold on a beach as if it were a chessboard. This observer is not participating in the events but is keenly aware of the vanity and pretense around him.
The narrative focuses on a man with a Mercedes-Benz, who is portrayed as a superficial character only interested in attracting women, likened to a 'silly girl under the sun.' The observer compares the man's behavior to that of a peacock, suggesting a display of arrogance and self-importance. The song's title, 'Cinema Verité,' which is a style of documentary filmmaking that aims to truthfully represent reality, is used metaphorically to describe the observer's perspective. He sees himself as a camera, capturing the essence of what is happening without interfering, suggesting a critique of the artificiality and performance of social interactions.
The observer's voyeuristic stance is further emphasized as he watches the man offer an apple to a woman, an allusion to the biblical story of Adam and Eve and the original sin, which in this context symbolizes temptation and the fall from innocence. The song ends with the observer's equipment falling away, and the night drawing in, perhaps indicating a return to reality or the end of the spectacle. The lyrics invite reflection on the nature of watching versus participating and the authenticity of human connections in a world where appearances often take center stage.