A Morte do Vaqueiro

Luiz Gonzaga Luiz Gonzaga

Echoes of the Sertão: The Lament of 'A Morte do Vaqueiro'

The song 'A Morte do Vaqueiro' by Luiz Gonzaga is a poignant tribute to the life and death of the Northeastern Brazilian cowboy, known as the vaqueiro. The lyrics paint a somber picture of the countryside, where the cattle low continuously, mourning the absence of their vaqueiro who will no longer call out to them with his traditional cattle call, 'aboiar'. The song captures the essence of the vaqueiro's life, one that is often harsh and unappreciated, as reflected in the line about the vaqueiro dying without leaving any money and his name being forgotten in the remote corners of the sertão, the arid hinterlands of Northeastern Brazil.

Luiz Gonzaga, often referred to as the 'King of Baião', was a prominent figure in Brazilian folk music, particularly known for his portrayal of the life and struggles of the people of the sertão. In 'A Morte do Vaqueiro', Gonzaga uses the repetitive and melancholic refrain 'Tengo, lengo, tengo' to evoke the rhythmic and sorrowful nature of the cowboy's song. The music and lyrics together create a sense of loss and remembrance for a way of life that is fading away. The song also touches on themes of neglect and the fleeting nature of memory, as the vaqueiro is laid to rest in an unmarked grave, remembered only by his loyal dog, which continues to grieve for him.

The song is a cultural reflection of the Northeastern Brazilian identity, highlighting the struggles and the overlooked contributions of the vaqueiros. It serves as a reminder of the transient nature of life and the importance of remembering those who have passed, especially those who lived their lives in service to others with little recognition. 'A Morte do Vaqueiro' is not just a lament for an individual, but a lament for a disappearing culture and the undervalued lives within it.

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  1. Assum Preto
  2. Asa Branca
  3. Baião
  4. Sanfona Sentida
  5. Luar do Sertão
  6. From United States of Piauí
  7. Dezessete e Setecentos
  8. Petrolina Juazeiro
  9. Aproveita Gente
  10. A Cheia de 24
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