Dos En La Ciudad

Fito Páez Fito Páez

Nostalgia in the Urban Maze: Fito Páez's 'Dos En La Ciudad'

Fito Páez's 'Dos En La Ciudad' is a poignant narrative that captures a fleeting reunion between two former lovers in the vastness of the city. The song begins with a chance encounter on the street, where the narrator is struck by the unchanged allure of his past love. The mention of her 'supercolocada' state and the 'cachetada' (slap) she gives him sets a tone of raw emotion and unresolved tension between the two. The slap, in particular, could symbolize a moment of clarity or the re-establishment of boundaries after a long separation.

As they reconnect, they share drinks and personal updates, revealing a mix of nostalgia and the harsh realities of their current lives. The conversation flows into the night, fueled by whiskey and cocaine, suggesting a temporary escape from the weight of their past and present. The song's refrain, 'el tiempo pasó, fuimos ella y yo, dos en la ciudad,' emphasizes the passage of time and the isolation they feel in the urban landscape, despite their brief reconnection. The weekend they spend together is intense and intimate, yet it ends as abruptly as it began, with the woman leaving without a trace.

The song's melancholic tone is underscored by the repetition of 'pasó, pasó,' which means 'it passed, it passed.' This refrain serves as a reminder of the transient nature of their encounter and the fleeting moments of joy they shared. Páez's storytelling, combined with his signature rock and ballad style, creates a vivid picture of two souls momentarily finding solace in each other amidst the chaos of city life. The song is a testament to the enduring impact of past relationships and the bittersweet memories that linger long after they've ended.

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  1. 11 y 6
  2. Pétalo de Sal
  3. El Amor Después Del Amor
  4. Al Lado Del Camino
  5. Cable A Tierra
  6. Contigo (feat. Joaquín Sabina)
  7. Yo Vengo A Ofrecer Mi Corazón
  8. Fue Amor
  9. Margarita
  10. Tres Agujas
View all Fito Páez songs

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