Cantos de Pilón II

Soledad Bravo Soledad Bravo

The Rhythms of Labor and Love in 'Cantos de Pilón II'

Soledad Bravo's 'Cantos de Pilón II' is a vibrant and evocative song that delves into the daily lives and emotions of rural workers. The song's title refers to the traditional 'pilón,' a large wooden mortar used for pounding grains, which is a central element in the lives of many rural communities. The repetitive and rhythmic nature of the lyrics mirrors the laborious task of pounding, creating a musical representation of the physical effort involved in this work.

The lyrics begin with a farewell, 'Adiós, manita querida,' which sets a tone of departure and longing. This farewell could symbolize the end of a relationship or a temporary separation due to the demands of work. The song then transitions into a series of verses that describe the physical toll of labor, 'Ya me duele la cabeza, de tanto darle al pilón,' highlighting the exhaustion and perseverance of the workers. The mention of 'engordar un cochino y comprarme un camisón' reflects the small but significant goals that motivate their hard work.

Interwoven with the themes of labor are elements of social commentary and humor. The verse about a civil marriage between 'la bemba de burro' and 'el pescuezo de violín' uses playful imagery to critique societal norms and relationships. The song also touches on personal preferences and desires, such as the preference for a single man who 'huele a piña madura' over a married man who 'jiede a mata dura.' These lines reveal the personal aspirations and values of the singer, adding depth to the portrayal of rural life.

'Cantos de Pilón II' is a rich tapestry of cultural references, personal anecdotes, and social observations. Soledad Bravo's powerful voice and the rhythmic structure of the song bring these elements to life, creating a vivid and engaging narrative that resonates with the experiences of many rural communities.

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  6. Chamamé a Cuba
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