Continente Perdido (terra de Montezuma)

Ruy Maurity's song "Continente Perdido (terra de Montezuma)" is a poetic exploration of the rich and complex history of the Americas, particularly focusing on the indigenous cultures and the impact of colonization. The lyrics paint a vivid picture of a land filled with natural beauty and cultural richness, yet marred by the loss and division brought about by European conquest.

The song opens with imagery of a moonlit, rustic kingdom, evoking a sense of nostalgia for a simpler, more harmonious time. The mention of "bandido, índio" highlights the diverse and often marginalized groups that make up the fabric of the Americas. Maurity uses the metaphor of a "batuque de meninos de pé descalço" to symbolize the enduring spirit and resilience of these communities, despite their hardships.

The reference to Montezuma, the last emperor of the Aztecs, serves as a poignant reminder of the devastating effects of colonization. Montezuma's inability to defend his land and treasures from European invaders is contrasted with the "Musa branca de sangue azul," symbolizing the European colonizers who brought about significant cultural and social changes. The song also touches on various myths and legends, such as the "mula-sem-cabeça" and the "Feiticeiro," blending historical facts with folklore to create a rich tapestry of the continent's past.

Maurity's lyrics ultimately reflect on the fragmented and divided state of the Americas, a "reino perdido" that has been shaped by both its indigenous roots and the influences of colonization. The song is a melancholic yet hopeful ode to the resilience and enduring spirit of the people who inhabit this land, celebrating their cultural heritage while acknowledging the challenges they have faced and continue to face.