Las Damas De Beneficencia

Nacha Guevara Nacha Guevara

The Satirical Elegance of Charity: Nacha Guevara's 'Las Damas De Beneficencia'

Nacha Guevara's song 'Las Damas De Beneficencia' is a sharp and satirical critique of the superficial and often hypocritical nature of charitable organizations, particularly those run by the upper class. The song opens with a seemingly earnest reflection on the goodness in the world, only to quickly reveal a biting irony. Guevara mocks the so-called 'beneficent ladies' who claim to help the poor but do so with condescension and ulterior motives. The repeated lines about knitting 'a point for the Virgin and a point for Joseph' serve as a metaphor for the mechanical and insincere acts of charity performed by these women.

The lyrics highlight the absurdity of selective charity, as seen in the line 'Haz bien mirando bien a quién' (Do good, but watch who you do it for). This phrase, attributed to the fictional Duchess of Falsec, underscores the discriminatory practices of these charitable ladies, who only help those they deem worthy. The song also touches on the political biases of these women, as evidenced by the line about removing a poor woman from the charity list because she loved a communist. This reveals the underlying prejudices and lack of genuine compassion in their actions.

Guevara's use of humor and irony is masterful, making 'Las Damas De Beneficencia' not just a song but a social commentary. The repetitive knitting imagery, combined with the mocking tone, paints a vivid picture of the performative nature of these charitable acts. The song ultimately questions the true intentions behind such charity and challenges listeners to reflect on the authenticity of their own altruistic actions. Through this satirical lens, Guevara exposes the superficiality and hypocrisy that can often accompany acts of supposed kindness.

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  1. Para Cuando Me Vaya
  2. Cuando No Hay Mas Que Amor
  3. Pasional
  4. El Tiempo No Tiene Nada Que Ver
  5. Por Qué Cantamos
  6. El Juramento De Eva
  7. Todavia
  8. El Perezoso
  9. Un Padre Nuestro Latinoamericano
  10. Soy Snob
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