De Nada Sirve

Moris Moris

The Futility of Escaping Oneself: A Deep Dive into 'De Nada Sirve' by Moris

In 'De Nada Sirve,' Moris delves into the existential crisis and the futility of trying to escape one's inner self. The song opens with a stark declaration: 'De nada sirve escaparse de uno mismo,' which translates to 'It's useless to escape from oneself.' This sets the tone for a profound exploration of the human condition, where external distractions and material possessions fail to fill the void within.

Moris critiques various forms of escapism, from watching movies and smoking to engaging in superficial relationships and accumulating material wealth. He points out that none of these activities can truly address the internal loneliness and dissatisfaction that plague many people. The lyrics suggest that even those who seem to have it all—fame, friends, and material success—are not immune to this existential emptiness. The repetition of 'de nada sirve' emphasizes the futility of these efforts, driving home the point that true fulfillment cannot be found in external sources.

The song also touches on the societal pressures and expectations that contribute to this sense of emptiness. Moris mentions people from different walks of life—office workers, port laborers, musicians—highlighting that this existential crisis is universal. He advises against using distractions like music or social interactions to escape from oneself, advocating instead for introspection and self-awareness. The song's climax is a call to action: to live authentically, to take risks, and to embrace both love and suffering as essential parts of the human experience. Moris's message is clear: escaping oneself is impossible, and the only way to find meaning is to confront and understand one's inner self.

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  1. Pato Trabaja En Una Carnicería
  2. Nocturno de Princesa
  3. En Una Tarde de Sol
  4. De Nada Sirve
  5. Escuchame Entre El Ruido
  6. Ayer Nomás
  7. El Mendigo Del Dock Sud
  8. Rock de Campana
  9. El Oso
  10. Muchacho Del Taller y La Oficina
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