Magoya

María Elena Walsh's song 'Magoya' is a sharp critique of societal and political disillusionment. The lyrics paint a picture of a world where accountability is an illusion, and people are left to deal with empty promises and false narratives. The term 'Magoya' is a colloquial expression in Argentina, often used to refer to an imaginary person or a non-existent entity to whom one can attribute blame or responsibility. This sets the tone for the song, which delves into themes of deception and the frustration of being misled by those in power.

The song opens with the mention of a 'coso' (thing) that never shows its face, a 'Dios berreta' (cheap god) that is nowhere to be found, and a 'comodín' (wild card) invented to complain about being sold a 'buzón' (a lie or scam). These metaphors highlight the pervasive sense of betrayal and the lack of genuine accountability. The repeated refrain 'Andá, contásela a Magoya' (Go, tell it to Magoya) underscores the futility of seeking justice or truth in a world filled with 'cuentos chinos' (tall tales).

Walsh's lyrics also touch on the theme of collective disillusionment. The 'nadie' (nobody) who is a victim of everyone and the 'anónimo rey de la macana' (anonymous king of nonsense) represent the faceless masses who suffer from the actions of unseen perpetrators. The song criticizes the empty rhetoric of 'discurso de milico' (military speech) and 'cheque volador' (bouncing check), emphasizing the widespread discontent with hollow promises and unfulfilled expectations. The line 'el cuento de que Dios es argentino' (the tale that God is Argentine) further satirizes nationalistic myths and the false sense of divine favor.

' Magoya' is a powerful commentary on the pervasive sense of disillusionment and the search for accountability in a world where truth is often obscured by deception. Walsh's use of colloquial language and vivid metaphors makes the song a poignant reflection on the human condition and the societal structures that perpetuate falsehoods.