First We Take Manhattan

Leonard Cohen's 'First We Take Manhattan' is a song that delves into themes of ambition, change, and perhaps a hint of revenge. The opening lines introduce us to a narrator who has been metaphorically 'sentenced' to boredom for attempting to change the system from within. This suggests a feeling of being stifled or constrained by societal norms or political structures. The narrator's declaration of 'coming to reward them' is laced with irony, as the reward seems to be more of a threat or a promise of upheaval. The chorus, 'First we take Manhattan, then we take Berlin,' serves as a bold statement of intent, signifying a strategic and determined plan to conquer or transform these cities, which could be seen as symbols of cultural or political power.

The song's verses weave personal elements with broader societal critiques. References to a love interest, the fashion industry, and the impact of drugs on a sibling bring a personal dimension to the narrator's motivations. The line 'I'm guided by the beauty of our weapons' could be interpreted as a commentary on the allure of power and the means by which change is enacted, whether through force or more subtle forms of influence. The mention of a 'monkey and the plywood violin' is cryptic, but it could symbolize the absurdity of the gifts society offers in place of genuine support or recognition.

Cohen's lyrics often contain layers of meaning, and 'First We Take Manhattan' is no exception. The song can be seen as a reflection on the artist's own role in society, the struggle for artistic integrity, and the desire to make a significant impact. The repeated phrase 'First we take Manhattan, then we take Berlin' resonates as a mantra for those who seek to challenge the status quo, suggesting a relentless pursuit of one's goals, regardless of the resistance faced.