Estalactitas

Jorge Drexler's song 'Estalactitas' is a poetic exploration of a passionate and almost surreal romance. The lyrics are rich with vivid imagery and metaphors that paint a picture of a love that feels both timeless and fleeting. The title itself, 'Estalactitas' (stalactites), suggests a sense of hanging in time, much like the suspended formations in a cave, symbolizing the delicate and precarious nature of the relationship.

The song opens with the line 'El tiempo era entonces dinamita,' which translates to 'Time was dynamite then.' This sets the stage for a period of intense and explosive emotions. The lovers are described as living 'colgados como estalactitas,' or 'hanging like stalactites,' emphasizing their suspended state of being, caught in a moment that feels both eternal and fragile. The use of 'tu rimel era el mapa del dorado' (your mascara was the map to El Dorado) and 'el perfume de un ciclón dormido' (the perfume of a sleeping cyclone) adds layers of exoticism and mystery to the beloved, making her seem almost otherworldly.

As the song progresses, Drexler reminisces about their adventures and intimate moments, such as 'besarnos en el fondo de los cines' (kissing at the back of the cinemas) and 'con el tintinear de tus cien pulseras' (with the tinkling of your hundred bracelets). These lines evoke a sense of nostalgia and longing, capturing the essence of youthful love and the desire to escape from the mundane. The repeated 'Na-na-na' refrain adds a dreamy, almost hypnotic quality to the song, reinforcing the idea of being lost in a moment of pure emotion.

In 'Estalactitas,' Drexler masterfully blends poetic language with evocative imagery to create a song that feels both deeply personal and universally relatable. It's a celebration of love's ability to transcend time and space, capturing the magic of those fleeting moments that stay with us forever.