Navigating Identity and Belonging in 'Frontera' by Jorge Drexler

Jorge Drexler's song 'Frontera' delves into the fluidity of identity and the concept of belonging. The lyrics open with the poignant line, 'Yo no sé de dónde soy, mi casa está en la frontera,' which translates to 'I don't know where I'm from, my home is on the border.' This sets the stage for a reflection on the ever-changing nature of borders and the transient sense of home. Drexler suggests that borders, much like flags, are not fixed but constantly shifting, highlighting the arbitrary nature of geopolitical boundaries.

The song continues to explore the idea of home and identity through personal anecdotes and metaphors. Drexler describes his homeland as a 'rinconcito,' a small corner, and the 'canto de una cigarra,' the song of a cicada, emphasizing the intimate and ephemeral aspects of belonging. He also touches on his heritage, mentioning that he is the son of a foreigner and a morning star, which adds layers to his identity, making it both celestial and grounded.

Drexler's lyrics also offer a philosophical take on life and learning. He admits to having few truths and refrains from giving advice, suggesting that everyone must find their own path and learn through experience. The song critiques the certainties that lead to conflict, stating, 'La guerra y la vanidad comen en la misma mesa,' meaning 'War and vanity dine at the same table.' This line underscores the destructive nature of rigid beliefs and ego. Ultimately, 'Frontera' is a contemplative piece that invites listeners to ponder the complexities of identity, the fluidity of borders, and the universal quest for belonging.

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  1. Al Otro Lado del Río
  2. Pongamos Que Hablo de Martínez
  3. Bendito Desconcierto (part. Martín Buscaglia)
  4. El fuego y el combustible
  5. Asilo
  6. Derrumbe
  7. Me Haces Bien
  8. Salvapantallas
  9. Corazón de Cristal
  10. Memoria Del Cuero
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