La Canción da Las Noches Perdidas

Joaquín Sabina Joaquín Sabina

The Melancholy of Misspent Nights: A Dive into Joaquín Sabina's Song

Joaquín Sabina's "La Canción de Las Noches Perdidas" (The Song of the Lost Nights) is a poignant reflection on loneliness, regret, and the passage of time. The song, with its haunting melody and evocative lyrics, captures the essence of despair that can accompany introspective nights. Sabina, known for his poetic songwriting, often delves into themes of love, loss, and existential angst, and this song is a quintessential example of his lyrical prowess.

The lyrics speak of the song itself as an entity that embodies the spirit of lost nights, sung in the early hours when the pain of farewell is most acute. The reference to aguardiente, a strong liquor, symbolizes the bitter taste of parting and the desire to numb emotional pain. The song's personification with female names such as solitude, consolation, and even freedom, suggests a complex relationship with these intangible concepts, often sought after but just as often elusive.

Sabina's song is not just a lament; it's a narrative of those who have strayed from their obligations ('fugitives of duty') and find themselves without a clear path to redemption or happiness. The metaphor of not finding a 'free taxi to heaven' poignantly illustrates the idea of being lost without direction or hope of salvation. The song's chorus, with its repeated line 'Y tiene nombre de mujer' (And it has a woman's name), could be interpreted as a metaphor for the things in life that are deeply desired yet remain just out of reach, personified by the allure of a woman's name.

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  1. Tan Joven y Tan Viejo
  2. 19 Días y 500 Noches
  3. Contigo
  4. Como Te Digo Una "Co" Te Digo La "O"
  5. Cuando Me Hablan Del Destino
  6. Pongamos Que Hablo de Joaquín (part. Luis Eduardo Aute)
  7. Como Un Dolor de Muelas
  8. Yo Quiero Ser Una Chica Almodovar
  9. Cerrado Por Derribo
  10. Noches de Boda
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