Telespañolito

Joaquín Sabina's song 'Telespañolito' is a sharp and satirical critique of Spanish television and its impact on society. The song opens with a reference to a psychoanalyst advising against watching TV, suggesting that only masochists enjoy it. Sabina personifies the television as a 'faithful lover,' highlighting the paradoxical relationship people have with it—both dependent and critical. The mention of various TV personalities and shows, such as Iñigo and Felipe, adds a layer of cultural specificity, grounding the song in the Spanish media landscape of the time.

The chorus, 'Telespañolito, que ves la tele, te guarde Dios,' serves as a warning to the Spanish viewer, implying that watching TV can be harmful. Sabina laments the lack of quality programming, noting that even his own songs were censored ('tres rombos le colgaban a mi canción'). The reference to 'Carta de Ajuste' and 'Despedida y Cierre'—technical terms related to TV broadcasting—further emphasizes his disillusionment with the medium. These lines suggest that the most enjoyable moments on TV are when it's off the air, a powerful indictment of the content being broadcast.

Sabina also touches on broader social issues, such as the influence of the Church and government censorship. He criticizes the moralistic reprimands from Rome and the taboo surrounding topics like abortion and education ('del aborto y la Lode mejor no hablar'). The song's final verses call for transparency and honesty in media, urging the government to stop treating the public as fools. The line 'que suba el Pirulí la imaginación' is a plea for more creative and imaginative programming, referencing the iconic Torrespaña communications tower in Madrid.

'Telespañolito' is a multifaceted critique that uses humor, cultural references, and social commentary to question the role of television in Spanish society. Sabina's clever wordplay and biting satire make it a timeless piece that resonates with anyone critical of media influence and censorship.