Caballo loco

In 'Caballo loco,' Jairo paints a vivid picture of a man grappling with loneliness and the remnants of a past relationship. The song begins with the protagonist handing over the keys to a house in Belgrano, a gesture that signifies the finality of a breakup. The mention of the lawyer and the options to sell, rent, or close the house underscores the practical aspects of moving on, yet it also highlights the emotional weight of letting go of shared memories.

The protagonist's current state is one of isolation and monotony, as he describes living in a hotel on Cangallo Street. The imagery of being 'bored like a mushroom' and 'lonelier than a horse' poignantly captures his sense of desolation. This metaphor of the horse, or 'caballo,' is central to the song, symbolizing both his solitary existence and his restless spirit. The hotel setting, with its transient nature, further amplifies his feelings of disconnection and aimlessness.

Amidst this bleakness, there are moments of tender nostalgia. The protagonist reminisces about a trip to Milan, where they bought a drawing of the Virgin Mary by Leonardo. This memory serves as a stark contrast to his current life, evoking a time of shared experiences and intimacy. The song concludes with a sense of urgency and resignation, as he hurriedly leaves, reminding the listener of his constant state of flux. The repeated mention of the hotel and the nickname 'caballo' reinforces his identity as a wandering soul, forever marked by his past.