Mañana zarpa un barco

Homero Manzi Homero Manzi

The Melancholic Farewell: A Sailor's Tango

Homero Manzi's song "Mañana zarpa un barco" is a poignant exploration of the transient nature of life and love, set against the backdrop of a sailor's journey. The lyrics paint a vivid picture of a sailor's life, filled with constant movement and fleeting connections. The recurring theme of departure and the uncertainty of return underscore the emotional weight carried by those who live their lives at sea.

The song opens with the sailor reflecting on the unchanging shores and the familiar yet ephemeral experiences in various ports. The mention of "muchachas de ojos tristes" (girls with sad eyes) waiting for the sailors highlights the transient relationships formed during these brief stops. The sailor finds solace only in the familiar sounds of the bandoneón in his home port, suggesting a deep connection to his roots and the music that defines his culture.

The chorus emphasizes the fleeting nature of the night and the impending departure at dawn. The sailor urges his partner to dance and not be sad, even though he acknowledges the inevitability of leaving. This moment of dance becomes a metaphor for seizing the present and finding joy amidst the sorrow of parting. The repetition of the line "mañana zarpa un barco, tal vez no vuelva más" (tomorrow a ship sets sail, perhaps it will never return) serves as a haunting reminder of the uncertainty and impermanence that define the sailor's life.

In the final verse, the sailor reminisces about the two months spent at sea, longing for the sound of the bandoneón and the comfort of the tango. The tango, described as a "puerto amigo" (friendly port), symbolizes a safe haven for the sailor's emotions. The dance becomes a way to momentarily escape the harsh realities of life at sea. The song concludes with a bittersweet dance, as the sailor chooses to embrace the present moment rather than dwell on the past or the uncertain future.

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  1. Ay de mí
  2. Esquinas porteñas
  3. Monte criollo
  4. Tal vez será su voz
  5. Barrio de Tango
  6. Fruta amarga
  7. Negra María
  8. Torrente
  9. Betinotti
  10. Fueye
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