Mesopotamia

Franco Battiato's song 'Mesopotamia' is a profound meditation on memory, existence, and the passage of time. The lyrics begin with the artist reflecting on how, as one ages, distant memories resurface with vivid clarity. Battiato recalls tender moments from his childhood, such as being in his mother's arms and hearing his father's gentle comments. These memories are interwoven with scenes of family gatherings, irrational desires, and the emotional highs and lows of early life. The mention of 'la prima goccia bianca' (the first white drop) symbolizes the onset of puberty, a mix of fear and strange pleasure, and the natural, senseless infatuations of youth.

The song then transitions to Battiato's philosophical musings on what will remain of him after his earthly journey. He admires radical choices and conscious deaths, referencing Socrates' self-imposed death and the mysterious disappearance of Majorana. Battiato also reflects on the cynical yet fascinating life of Landolfi, contrasting it with the serene misanthropy of Benedetti Michelangeli. These reflections highlight Battiato's deep contemplation of life's transient nature and the legacies left behind by remarkable individuals.

Battiato connects his personal reflections to a broader historical and cultural context, claiming a lineage that stretches back to the ancient Sumerians, the creators of cuneiform writing. He emphasizes his desire to stay grounded, both literally and metaphorically, by sleeping in a sleeping bag to maintain a connection with the earth. The song's title, 'Mesopotamia,' and the reference to the valley between the two rivers, evoke the cradle of civilization and the enduring impact of ancient cultures. Ultimately, Battiato questions what will remain of us and our earthly experiences, pondering the lasting impressions of our lives.