Milonga En Negro

Edmundo Rivero's 'Milonga En Negro' is a fascinating exploration of identity, culture, and societal norms through the lens of a traditional Argentine musical form known as the milonga. The song's repetitive use of the word 'negro' serves as a powerful metaphor, creating a vivid and immersive narrative that delves into the lives of its characters. The setting is a 'black house' under a 'black sky,' where a 'black scene' unfolds, emphasizing a world that is entirely self-contained and self-referential.

The narrative centers around a black family preparing for a wedding, with every detail described as 'black,' from the church and the priest to the guests and their attire. This repetition not only highlights the cultural and racial identity of the characters but also serves to normalize and celebrate their existence. The use of 'black' in this context can be seen as a reclamation of identity, turning what has historically been a term of marginalization into one of pride and unity.

Rivero's choice of the milonga, a genre deeply rooted in Argentine culture, adds another layer of meaning. The milonga is traditionally associated with the working class and often deals with themes of love, struggle, and social issues. By setting his narrative within this musical form, Rivero aligns the experiences of his characters with broader societal themes, making a poignant statement about race, identity, and community. The song's conclusion, where the newlyweds retire to their 'black room' and engage in 'black activities,' underscores the completeness and self-sufficiency of their world, challenging the listener to reconsider preconceived notions about race and culture.