Demasiadas Mujeres

C. Tangana C. Tangana

The Haunting Echoes of Past Encounters in 'Demasiadas Mujeres'

The song 'Demasiadas Mujeres' by Spanish artist C. Tangana is a poignant reflection on past romantic encounters and the emotional turmoil that often accompanies them. The title, which translates to 'Too Many Women,' sets the stage for a narrative of a man who has had numerous relationships, yet finds himself haunted by the memories and unable to find peace or satisfaction.

The lyrics paint a picture of a man who is both reflective and regretful, reminiscing about past lovers and the moments they shared. The mention of '21 campaigns of Prada' suggests a relationship with a successful model, hinting at a glamorous yet transient lifestyle. The protagonist seems to struggle with the way he loves, fearing that his approach to relationships will inevitably lead to his partners' resentment. The reference to a techno club in Berlin and the raw, animalistic nature of a fleeting sexual encounter there, underscores the theme of seeking but not finding lasting connection. The music that accompanied that moment is described as 'music from hell,' which will play at his funeral, symbolizing a sense of self-destructive behavior and the inescapability of his actions.

The repetition of the line 'Demasiadas mujeres' serves as a lament, a chorus that echoes the protagonist's inner conflict. The unopened WhatsApp message and the conversations that 'say nothing' reveal a sense of emptiness and a longing for something more meaningful. The song captures the essence of a person who is lost in the memories of past relationships, unable to move forward, and stuck in a cycle of regret and yearning for a love that seems to have slipped through his fingers.

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  1. Nunca Estoy
  2. Mala Mujer
  3. Demasiadas Mujeres
  4. Me Maten - Live at NPR's Tiny Desk (part. Antonio Carmona)
  5. Antes de Morirme (part. Rosalía)
  6. Me Maten (part. Antonio Carmona)
  7. Te Olvidaste (part. Omar Apollo)
  8. Comerta Entera (part. Toquinho)
  9. Drama
  10. Nominao (part. Jorge Drexler)
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