Arte Final

Belchior Belchior

Navigating Disillusionment and Nostalgia in 'Arte Final' by Belchior

Belchior's song 'Arte Final' is a poignant exploration of disillusionment, nostalgia, and societal critique. The lyrics open with a sense of detachment and avoidance, as the narrator excuses themselves from the present moment, suggesting a need for personal space and reflection. This sets the tone for a journey through memories and a critique of contemporary society. The mention of 'sessão de nostalgia' (nostalgia session) hints at a longing for the past, a time perhaps perceived as simpler or more genuine.

The chorus, with its repeated greetings to the present and future, underscores a tension between the now and what is to come. This duality reflects the artist's struggle to reconcile past ideals with current realities. The lines 'Ora, Ora! Até vocês que ouvi dizer / São gente quase honesta' (Oh, oh! Even you, who I heard / Are almost honest people) reveal a deep-seated cynicism towards those in power or those who were once trusted. This cynicism extends to a broader societal critique, where the narrator feels marginalized and treated unfairly, akin to the treatment of women and black people, highlighting issues of inequality and systemic oppression.

The song's climax is a powerful call to the disillusioned youth and various societal outcasts, questioning their current state and urging them to remember their rebellious roots. The reference to selling one's soul to the devil and the subsequent critique of consumerism and superficiality ('os consumistas, os mercadores') reflect a deep disappointment with the direction society has taken. The closing lines, questioning if the airport is the only escape, encapsulate a sense of entrapment and a yearning for a more meaningful existence beyond materialism and superficiality.

Belchior's 'Arte Final' is a rich tapestry of personal and societal reflection, blending nostalgia with a sharp critique of contemporary values. It challenges listeners to reflect on their own lives and the broader societal structures they navigate, making it a timeless piece of musical and lyrical art.

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  3. Lamento do Marginal Bem Sucedido
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