Embrasa (part. Luccas Carlos)

Vitão Vitão

Longing and Distance in Vitão's 'Embrasa'

Vitão's song 'Embrasa,' featuring Luccas Carlos, delves into the complexities of longing, distance, and the fleeting nature of passionate relationships. The lyrics paint a vivid picture of a man yearning for a woman whose presence ignites a fiery passion within him. The repeated lines, 'Mulher, cê gosta quando o corpo fica em brasa / Eu gosto quando a hora de vazar atrasa,' emphasize the mutual desire and the reluctance to part ways, highlighting the intensity of their connection.

The song also explores the theme of separation and the emotional void it creates. The protagonist reflects on the physical and emotional distance between them, as seen in lines like 'Tô bem longe de tudo que a gente fez / Mas se o orelhão tocar na Avenida Seis / Eu acho que eu vou ligar de volta.' This longing is further amplified by the imagery of an empty house and a cold bed, symbolizing the loneliness and yearning for the other's presence.

Additionally, 'Embrasa' touches on the broader context of life's struggles and the pursuit of happiness. The lyrics 'Sabe que a vida corre / E a gente corre atrás da vida / Como se ela não voltasse mais' suggest a sense of urgency in living life to the fullest, despite the challenges. The reference to 'a roda de samba' and 'bares de jazz' evokes a cultural backdrop where music serves as an escape and a means to mask sorrow with joy. This cultural reference enriches the song's narrative, adding depth to the protagonist's emotional journey.

Ultimately, 'Embrasa' is a poignant reflection on love, distance, and the bittersweet nature of passionate relationships. It captures the essence of longing and the desire to hold onto fleeting moments of connection, even when faced with the inevitability of separation.

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  1. Tá Foda
  2. Embrasa (part. Luccas Carlos)
  3. Te Liguei
  4. Caderninho
  5. Café
  6. Edredom (part. MC Davi)
  7. Complicado (part. Anitta)
  8. Romeu e Julieta
  9. Um Pouco de Você
  10. Flores (part. Luísa Sonza)
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