Vénus Noir

Urias's song "Vénus Noir" is a powerful exploration of identity, resilience, and the struggle for recognition. The lyrics paint a vivid picture of a Black woman standing at the threshold of success, symbolized by the "porta do hotel" (hotel door) and "porta do céu" (heaven's door). These doors represent both the barriers and opportunities she faces in her journey. The repeated questioning of "como, onde e por quê" (how, where, and why) highlights the scrutiny and challenges she encounters as she navigates her path to success.

The song delves into themes of self-worth and the desire for acknowledgment. Urias questions whether her voice and art are truly heard and appreciated, reflecting a broader commentary on the often-overlooked contributions of Black artists. The mention of prestigious awards like the Nobel Prize and Grammy serves as a metaphor for the recognition she seeks, not just for herself but for her community. The imagery of being "arrebatada, de Mugler e Chanel" (swept away, in Mugler and Chanel) juxtaposes luxury and struggle, emphasizing the duality of her experience.

"Vénus Noir" also addresses the societal barriers faced by Black individuals, with the line "Barulheira negra, negra não entra no céu" (Black noise, Black doesn't enter heaven) underscoring the systemic racism and exclusion that persist. Despite these challenges, the song is a celebration of Black identity and resilience. Urias's use of "preta malícia" (Black malice) and "cabelo pro alto e o quadril largo" (hair up high and wide hips) reclaims and embraces cultural stereotypes, transforming them into symbols of strength and beauty. Through "Vénus Noir," Urias crafts an empowering anthem that resonates with anyone who has ever felt marginalized or underestimated.