Samba Enredo 1986 - Cama, Mesa e Banho de Gato

G.R.E.S. Unidos da Tijuca (RJ) G.R.E.S. Unidos da Tijuca (RJ)

A Carnival of Human Desires: Exploring 'Samba Enredo 1986 - Cama, Mesa e Banho de Gato'

The song 'Samba Enredo 1986 - Cama, Mesa e Banho de Gato' by G.R.E.S. Unidos da Tijuca (RJ) is a vibrant and provocative exploration of human desires and societal norms, set against the backdrop of the Brazilian Carnival. The lyrics delve into themes of infidelity, machismo, and the complexities of human relationships, all while maintaining the festive and rhythmic spirit of samba.

The song begins by highlighting the dissatisfaction of a man with his 'matriz' (original partner) and his pursuit of a 'filial' (another partner), symbolizing the seven deadly sins during Carnival. This metaphorical language underscores the idea that one woman is not enough for him, leading to a life of constant temptation and infidelity. The lyrics also touch on the hypocrisy and double standards in relationships, as the man is unaware that his wife is also unfaithful, and his daughter is rumored to be a lesbian.

The chorus, with its playful and ironic tone, suggests that for those with an insatiable appetite, any dish is as luxurious as caviar. This line cleverly captures the essence of human desires and the lengths people will go to satisfy them. The song also celebrates the hedonistic pleasures of life, with references to the prolonged pleasure of a 'banho de gato' (cat bath), a metaphor for indulgence and sensuality.

The final verses bring the Carnival spirit to life, inviting everyone to join in the celebration, regardless of societal judgments. The song paints a vivid picture of the diverse and colorful characters that make up the Carnival, from dancers and musicians to con artists and TV stars, all united in their disregard for societal norms and their pursuit of pleasure. This celebration of life and human desires, set to the infectious rhythm of samba, makes 'Cama, Mesa e Banho de Gato' a timeless and captivating piece of music.

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