The Elusive Nature of Love and Identity in 'Handshake'

Two Door Cinema Club's song 'Handshake' delves into the complexities of love, identity, and the human condition. The lyrics open with a reflective question, 'So what became of loving man? Oh what became of you?' This sets the tone for a journey of self-discovery and introspection. The handshake, a symbol of familiarity and connection, becomes a metaphor for the fleeting and often ambiguous nature of human relationships. The protagonist seems to be grappling with the loss of a once-clear sense of self and purpose, as indicated by the line, 'What was it you meant to do?'

The recurring refrain, 'She said the devil will want you back, and you'll never find love in an open hand,' suggests a struggle between good and evil, temptation and virtue. The 'devil' here could symbolize past mistakes or darker aspects of one's personality that threaten to resurface. The advice to 'shut your eyes, so you see I'm there' implies that true understanding and love come from within, rather than from external validation. This internal vision is crucial for maintaining one's integrity and staying true to oneself.

The song also touches on themes of redemption and the possibility of change. The lines 'I lied, this was not for my pride, I know this was my time' indicate a moment of honesty and self-realization. The protagonist acknowledges past deceptions but also recognizes the opportunity for growth and transformation. The repeated assurance that 'you'll always have this if you stay this man' serves as a reminder that staying true to one's core values is essential for finding lasting love and fulfillment. In essence, 'Handshake' is a poignant exploration of the delicate balance between self-identity and the search for meaningful connections in a world full of uncertainties.

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  1. What You Know
  2. Wake Up
  3. Sun
  4. I Can Talk
  5. Beacon
  6. Something Good Can Work
  7. Spring
  8. Someday
  9. Undercover Martyn
  10. Changing Of The Seasons
View all Two Door Cinema Club songs

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