Alô, Mulherada

Teodoro e Sampaio Teodoro e Sampaio

A Call to the Lonely Hearts: Teodoro e Sampaio's 'Alô, Mulherada'

Teodoro e Sampaio's song 'Alô, Mulherada' is a playful and cheeky anthem that reaches out to women who feel neglected, abandoned, or unloved. The lyrics are a direct address to various groups of women, including those who are heartbroken, separated, or simply in need of some affection. The singer positions himself as a 'quebra galho' (a jack-of-all-trades) who is ready to provide comfort and companionship to these women. This term, often used in Brazilian Portuguese, implies someone who can fix problems or provide temporary solutions, adding a layer of humor and light-heartedness to the song's message.

The song employs a series of vivid and humorous metaphors to describe the different situations of these women. For instance, the phrase 'arranha o azulejo' (scratching the tiles) is a colorful way to depict someone who is restless or frustrated. The singer offers himself as a solution, promising to fulfill their desires and bring some joy into their lives. The repeated invitation 'Vem ni mim que eu tô doidin' (Come to me, I'm crazy for it) emphasizes his eagerness and willingness to be there for these women, no matter their circumstances.

Culturally, 'Alô, Mulherada' taps into the traditional Brazilian music style known as sertanejo, which often features themes of love, heartbreak, and rural life. Teodoro e Sampaio are known for their humorous and sometimes risqué lyrics, and this song is no exception. It reflects a blend of humor, empathy, and a touch of machismo, characteristic of their musical style. The song's light-hearted approach to serious themes like loneliness and abandonment makes it both entertaining and relatable for many listeners.

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  1. Quatro Cantos da Casa
  2. Mulher Chorona
  3. Quando a Saudade Aperta
  4. Velho Galã
  5. Aqui Pra Ela
  6. Sete Noites de Paixão
  7. Lambida Do Boi
  8. De Parede E Meia
  9. Roela do Eno
  10. Ela Chorou De Amor
View all Teodoro e Sampaio songs

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