Serve You Right

Slash Slash

Redemption and Desire: The Duality in Slash's 'Serve You Right'

In 'Serve You Right,' Slash delves into themes of redemption, desire, and the complex interplay between sin and salvation. The song opens with the imagery of a 'black habit falling,' suggesting a shedding of old ways or a departure from a life of strict moral codes. This sets the stage for a narrative where pure intentions are laid down, and the protagonist offers a form of redemption that is both spiritual and carnal. The repeated phrase 'serve you right' carries a dual meaning, implying both a deserved outcome and a promise of fulfillment.

The character of 'Sweet sister Mary' introduces a religious undertone, yet the song quickly moves away from traditional black-and-white morality. Instead, it embraces a more nuanced view, where apprehensions and desires coexist. The protagonist positions himself as a confessor, someone who can offer both understanding and satisfaction. This dual role highlights the tension between spiritual salvation and earthly pleasures, suggesting that true redemption might come from embracing both aspects of human experience.

The chorus reinforces this idea, with lines like 'Salvation comes by Sunday, but you know redemption comes tonight.' Here, Slash contrasts the delayed promise of traditional religious salvation with the immediate, tangible redemption he offers. The song's climax, 'I'm not the second coming, but you know I'll be the first to try,' underscores the protagonist's human limitations while emphasizing his earnest effort to provide comfort and redemption. This blend of spiritual and physical elements creates a rich, layered narrative that challenges conventional notions of sin and salvation, urging listeners to find their own path to redemption.

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  1. The Godfather Theme
  2. Crucify The Dead
  3. Not For Me
  4. So Long Sin City
  5. The One You Loved Is Gone
  6. Nothing Left To Fear
  7. Serve You Right
  8. Hoochie Coochie Man (feat. Billy F. Gibbons)
  9. Bent to Fly
  10. I Hold On
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