Sereno Como Aquellas Mañanas

Silvina Garre Silvina Garre

The Serenity of Nostalgia and Love in Silvina Garre's 'Sereno Como Aquellas Mañanas'

Silvina Garre's song 'Sereno Como Aquellas Mañanas' is a poetic exploration of serenity, nostalgia, and the complexities of love. The lyrics evoke a sense of calmness, likening the feeling to the gentle rain that arrives unannounced or the tranquil mornings when time seemed irrelevant. This serenity is contrasted with the power of imagination, which can conjure memories and emotions from the past, sometimes leading to confusion or pain.

The song delves into the idea that love should be as serene and uncomplicated as the quiet moments of life. Garre uses metaphors such as 'the rain that came without asking' and 'the children who are well even without speaking' to illustrate an ideal state of being and loving. These images suggest a natural, effortless existence where love and life flow smoothly without the need for constant validation or communication.

Garre also touches on the theme of memory and how it can be both a source of comfort and distress. The lyrics mention how imagination can make one hear voices or see images from the past, blurring the lines between reality and memory. This duality is further emphasized by the recurring motif of the 'arlequín' (harlequin), a figure that represents both joy and sorrow, reflecting the bittersweet nature of reminiscing about past loves and moments.

The song's repetitive structure and soothing melody reinforce the theme of serenity, creating a meditative atmosphere that invites listeners to reflect on their own experiences of love and nostalgia. Garre's gentle voice and the song's lyrical content work together to evoke a sense of peaceful introspection, making 'Sereno Como Aquellas Mañanas' a poignant and reflective piece.

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  1. Canción Del Pinar
  2. Esos Hijos Del Tiempo
  3. Reinas De Pueblo grande
  4. Casi Una Zamba
  5. Se Fuerza La Maquina
  6. Una Vuelta De Cara
  7. En Los Brazos De Mi Padre
  8. Fin De Carnaval
  9. Quien Quiera Oir Que Oiga
  10. Somos La Ciudad
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