Obalué

Rubén Blades' song 'Obalué' is a rich tapestry of cultural and spiritual references, deeply rooted in the Afro-Cuban religious traditions. The song tells the story of Obalué, also known as Omolu, a deity in the Yoruba religion, who is associated with healing and disease. The lyrics paint a vivid picture of Obalué's dual nature, being both humble and powerful, and his ability to bring about miraculous healing.

The song begins with the sound of glass in the early morning, symbolizing the arrival of Obalué. This sound is described as both sad and joyful, reflecting the complex nature of the deity. Obalué's story is one of abandonment and redemption. Born to the queen Nana Buruke, he was abandoned due to his disobedience, which led to his skin being damaged. However, his faithful sister Iemaia took him in, showing him mercy, and Eleggua, another deity, also helped him. This narrative highlights themes of forgiveness, mercy, and the transformative power of love.

Throughout the song, the recurring refrain 'Oigo campanas, ¡viene Obalué!' (I hear bells, Obalué is coming!) serves as a reminder of Obalué's presence and power. The lyrics emphasize that those who respect the saint and maintain their faith have nothing to fear. The song also mentions various rituals and practices associated with Obalué, such as bathing in certain herbs for purification. This underscores the importance of maintaining spiritual cleanliness and respect for the deities in Afro-Cuban religious practices. Blades' respectful and reverent tone throughout the song reflects his deep appreciation for these traditions and their significance in the lives of their followers.