A Celestial Hymn: The Reverence of 'Sanctus'

Rolando Alárcon's 'Sanctus' is a deeply spiritual and reverent song that draws from traditional Christian liturgy. The repetition of the word 'Santo' (Holy) three times at the beginning of the song is a direct reference to the Trisagion, a hymn of praise in Christian liturgy that emphasizes the holiness of God. This repetition serves to elevate the divine nature of the Lord, underscoring His purity and sanctity.

The lyrics continue to address God as the 'Lord, God of the heavenly armies,' which is a translation of 'Dios de los ejércitos celestiales.' This phrase is often used in Christian texts to depict God's omnipotence and His command over the celestial beings. It evokes a sense of awe and respect, highlighting the grandeur and majesty of the divine. The imagery of 'heavenly armies' also suggests a protective and powerful force, reinforcing the idea of God as a supreme and omnipotent being.

The song further proclaims that 'the heavens and the earth are full of Your glory,' a statement that reflects the omnipresence of God's magnificence. This line suggests that God's presence and glory are not confined to a specific place but are spread throughout the entire universe. The final lines, 'hosanna in the highest of the heavens,' are a call for praise and adoration, often associated with the celebration of Jesus' entry into Jerusalem. This phrase encapsulates the essence of worship and reverence, inviting listeners to join in the exaltation of the divine.

Rolando Alárcon, known for his contributions to Latin American folk music, brings a unique cultural perspective to this traditional hymn. His rendition of 'Sanctus' bridges the gap between liturgical tradition and contemporary musical expression, making the song accessible to a broader audience while maintaining its sacred essence.

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  1. Niña, sube a la lancha
  2. Palomo desmemoriado
  3. Yo canto a la libertad
  4. Me voy pa' Beté
  5. Mocito que vas remando
  6. Sirilla de la Candelaria
  7. Trotecito de Navidad
  8. No pasarán
  9. Viva La Quinta Brigada (Ay, Carmela)
  10. En el patio de la escuela
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