La Roma de Los Andes (part. Rod Muñoz)

In "La Roma de Los Andes," OCARADOMETAL, featuring Rod Muñoz, crafts a powerful narrative that delves into the rich tapestry of indigenous cultures and their struggles against colonial forces. The song opens with a provocative image of angels falling from the sky, with Lucifer being named among them. This metaphorical depiction challenges the traditional Western narrative, suggesting that what was once considered divine or righteous may not be so, especially from the perspective of those who were conquered.

The lyrics then shift to a historical context, referencing the indigenous deities and cultures of the Andes, such as Viracocha, Mama Kilya, and Inti, the Sun God. These references serve to highlight the deep spiritual and cultural roots of the Andean people, contrasting sharply with the invaders' portrayal of them as "savages of the jungle." By invoking these deities, the song underscores the resilience and enduring legacy of these ancient civilizations, which include the Apaches, Shawees, Tupis, Aztecs, Mayas, Guaranis, Cherokees, and Incas.

The repeated mention of Chavin de Huantar, an archaeological site in Peru, acts as a symbolic call to the past, urging listeners to remember and honor the rich history and contributions of these indigenous peoples. This site, known for its intricate stone carvings and advanced engineering, represents the sophistication and ingenuity of pre-Columbian cultures. Through this song, OCARADOMETAL not only pays homage to these civilizations but also critiques the colonial mindset that sought to erase their identities. The song is a rallying cry for cultural pride and a reminder of the enduring spirit of the Andean people.