NATANAEL CANO (BZRP Music Sessions #59)

Natanael Cano's 'BZRP Music Sessions #59' is a song that exudes confidence and a sense of achievement against the odds. The lyrics, delivered with a blend of bravado and introspection, reflect on Cano's journey from struggle to success. The recurring theme of being 'endiamantado' (diamond-encrusted) and 'siempre volado' (always high or above) suggests a lifestyle of luxury and detachment from past hardships. Cano's references to expensive tastes and material wealth are a common trope in the genre, symbolizing the attainment of dreams and the ability to overcome adversity.

The song also touches on themes of betrayal and resilience. Cano mentions that many have failed him, but he has spent more than he has earned, indicating a nonchalant attitude towards money and a focus on enjoying the fruits of his labor. The mention of Jesus Christ on his chest, 'innecesario, pero lo traigo endiamantado' (unnecessary, but I carry it diamond-encrusted), could be interpreted as a statement of faith or protection, adorned with the trappings of his success. The lyrics also allude to the dangers and challenges he faces, such as government scrutiny and enemies, suggesting a life that is constantly under threat despite its opulence.

Cano's music is often characterized by its fusion of traditional Mexican music with modern trap influences, and this song is no exception. The blend of cultural references, from Frank Sinatra to Rafa Caro, and the mention of international locales like Barcelona's W Hotel, paint a picture of a global lifestyle that transcends borders. The song is a testament to Cano's self-made status and the complexities that come with it, from the allure of luxury to the constant vigilance required to maintain it.