Carros de Babilón

In 'Carros de Babilón,' Morodo delivers a powerful message of resistance and defiance against oppressive forces, often symbolized by 'Babylon.' The term 'Babylon' in Rastafarian culture represents the corrupt and oppressive system, often associated with police and governmental authorities. Morodo calls upon divine protection from these forces, portraying them as relentless and unjust. The 'carros de Babylon' (chariots of Babylon) symbolize the aggressive and invasive nature of these authorities, who come armed with 'pistolas y excusas' (guns and excuses), ready to impose their will through violence and deceit.

Morodo paints a vivid picture of the police as 'perros asesinos' (killer dogs) who have sold their souls for a badge, losing their humanity in the process. He contrasts this with his own steadfastness and faith, invoking the protection of 'el rey de reyes' (the King of Kings), a reference to Haile Selassie I, a central figure in Rastafarian belief. This divine protection empowers him to stand firm against the corruption and brutality of Babylon, symbolizing a spiritual and moral high ground that the oppressive forces cannot reach.

The song also touches on themes of corruption and moral decay within the system, describing how individuals who were once men have now become part of a corrupt police force, likened to a mafia. Morodo's lyrics express a deep mistrust of these authorities, highlighting their hypocrisy and the futility of their attempts to extinguish the 'fire del Nyah' (the fire of Nyahbinghi, a Rastafarian spiritual practice). Despite the overwhelming force of Babylon, Morodo remains unyielding, confident in the divine protection and guidance that shields him from harm. This song is a rallying cry for justice and a testament to the enduring spirit of resistance against oppression.