Ruas da Cidade (part. Lô Borges)

Milton Nascimento's song "Ruas da Cidade," featuring Lô Borges, is a poignant reflection on the transformation of indigenous lands into urban landscapes. The lyrics evoke the names of various indigenous tribes such as the Guajajaras, Tamoios, and Tupinambás, who once roamed freely across the land. The repetition of the phrase "Todos no chão" (All on the ground) serves as a somber reminder of the displacement and erasure of these native peoples as the city expanded and modernized.

The song paints a vivid picture of the urbanization process, describing how the natural horizon was lost amidst the burgeoning cityscape. The imagery of trams, cattle, tractors, and airplanes passing through the streets symbolizes the relentless march of progress and industrialization. The line "A cidade plantou no coração tantos nomes de quem morreu" (The city planted in the heart so many names of those who died) underscores the deep sense of loss and mourning for the indigenous cultures and lives that were uprooted and forgotten in the wake of urban development.

Milton Nascimento, known for his soulful voice and profound lyrics, often explores themes of social justice, cultural identity, and the human condition. In "Ruas da Cidade," he collaborates with Lô Borges to create a hauntingly beautiful tribute to the indigenous heritage that has been overshadowed by the growth of modern cities. The song serves as a call to remember and honor the history and sacrifices of the native peoples, urging listeners to reflect on the cost of progress and the importance of preserving cultural memory.