Como Flor Del Campo

Mercedes Sosa Mercedes Sosa

The Humble Essence of a Folk Songstress

The song "Como Flor Del Campo" by Mercedes Sosa, an iconic Argentine folk singer known for her deep voice and powerful songs that often carry social and political weight, is a poetic reflection on identity, humility, and the joy of cultural expression. The lyrics convey a sense of simplicity and groundedness, comparing the singer to the 'rumor of the river among the little rocks' and a 'flower of the field,' suggesting a natural, unpretentious existence.

Mercedes Sosa describes her journey through life as one that is intertwined with her cultural roots, symbolized by the 'mil pañuelos' (thousand scarves) and the wisdom of the elders from whom she has learned. The repetition of 'Yo supe escuchar' (I knew how to listen) emphasizes the importance of absorbing tradition and knowledge from previous generations. The song also touches on the communal aspect of her identity, as she speaks of dancing 'acollaradita con mi raza' (close-collared with my race), indicating a close bond with her community and heritage.

The latter part of the song shifts to a more celebratory tone, highlighting the transformative power of music and festivity. Sosa sings of singing from the heart and the sentiment not being a bird that nests in the throat, implying that true emotion in music comes from deeper within. The reference to the carnival as a place where sadness dies encapsulates the idea that through cultural celebration and music, one can find joy and liberation. The song, therefore, is not just a personal testament but also an ode to the resilience and vibrancy of her culture.

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  1. Solo Le Pido a Dios
  2. Antiguos Dueños de Flechas
  3. Del Tiempo de Mi Niñez
  4. Fuerza
  5. Drume Negrita
  6. Los Hermanos
  7. Amargura
  8. Canción Del Derrumbe Indio
  9. Aquellas Pequeñas Cosas (part. Joan Manuel Serrat)
  10. Alfonsina y El Mar
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