Pra Que Dinheiro

Martinho da Vila Martinho da Vila

The Power of Music Over Wealth in 'Pra Que Dinheiro'

Martinho da Vila's song 'Pra Que Dinheiro' delves into the theme of the value of music versus material wealth. The lyrics repeatedly question the importance of money when it comes to winning someone's affection, especially when the protagonist's love interest is more captivated by the sound of a viola (a traditional Brazilian string instrument) than by financial riches. This sentiment is encapsulated in the recurring line, 'Dinheiro? Pra que dinheiro? Se ela não me dá bola,' which translates to 'Money? What for? If she doesn't care about me.' The song suggests that in the world of a 'batuqueiro' (a percussionist or someone involved in traditional Brazilian music), the viola holds more sway than money.

The narrative unfolds with the protagonist lamenting his initial loneliness and his failed attempts to attract a woman with his wealth. Despite having 'tanta grana' (a lot of money) to offer, he finds that it is the man with the viola who captures her attention. This shift highlights a cultural value placed on musical talent and passion over material possessions. The protagonist's transformation is complete when he himself acquires a viola, which suddenly makes him more appealing to women, indicating that music has a unique and powerful allure.

Martinho da Vila, a renowned Brazilian samba musician, uses this song to emphasize the cultural significance of music in Brazilian society. The viola, a symbol of traditional music, becomes a metaphor for genuine connection and attraction, surpassing the superficial allure of money. The song celebrates the idea that true value lies in artistic expression and cultural heritage, rather than in material wealth.

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  1. Disritmia
  2. Pra Tudo se Acabar na Quarta-Feira
  3. Femmes (Mulheres)
  4. Quem É do Mar Não Enjôa
  5. Amor Não É Brinquedo
  6. Canta Canta, Minha Gente
  7. Festa de Umbanda
  8. Visgo de Jaca
  9. Gbala - Viagem ao Templo da Criação
  10. Sintonia do amor
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