Há de Sarar

MARO MARO

Healing Through Acceptance: The Journey in 'Há de Sarar'

MARO's song 'Há de Sarar' delves into the emotional complexities of dealing with unmet expectations and the process of healing. The lyrics open with a poignant acknowledgment of how poorly managed expectations can be detrimental, even fatal, to one's emotional well-being. This sets the stage for a narrative of self-awareness and personal responsibility, as the singer admits that the fault lies within themselves for believing that things would change. This admission is a powerful moment of introspection, highlighting the internal struggle between hope and reality.

The song continues with a metaphorical dance of progress and regression, illustrated by the lines 'Foram dois passos p'ra frente / E logo mais oito p'ra trás' (Two steps forward / And then eight steps back). This imagery captures the frustrating cycle of trying to move forward but constantly being pulled back, a sentiment that resonates with anyone who has faced setbacks in their personal growth or relationships. The silence mentioned in the lyrics symbolizes a form of consent, yet it also serves as a plea for the other person to stay, adding layers of complexity to the emotional landscape of the song.

Ultimately, 'Há de Sarar' is a song about the inevitability of healing and the acceptance of farewells, even when they are cold and difficult. The repeated assurance that 'a ferida há de sarar' (the wound will heal) serves as a comforting reminder that time and acceptance are crucial elements in the healing process. MARO's soulful delivery and the introspective lyrics create a deeply relatable and emotionally charged experience, making 'Há de Sarar' a poignant exploration of human vulnerability and resilience.

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  1. juro que vi flores
  2. tens morada em mim
  3. See You In My Dreams
  4. WE COULD BE (part. NASAYA)
  5. Páro Quando Oiço o Teu Nome
  6. I DON'T WANNA FEEL THAT WAY (feat. NASAYA)
  7. saudade, saudade
  8. am i not enough for now?
  9. we've been loving in silence
  10. oxalá (part. Darío Barroso e Pau Figueres)
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