Confissão

Marco Telles Marco Telles

The Struggle for Inner Stability

Marco Telles' song "Confissão" delves into the internal conflict and existential struggle of an individual trying to navigate the complexities of life. The lyrics begin with the protagonist being handed a list of dos and don'ts, symbolizing societal expectations and pressures. Despite attempts to follow these guidelines and trust in their own instincts, the protagonist finds themselves in a state of despair, feeling adrift and confined by their own freedom. This paradox highlights the difficulty of finding true autonomy and the internal battle between personal desires and external influences.

The recurring theme of searching for a "rock" or a "safe place" represents the quest for stability and security in a world that feels unpredictable and overwhelming. The protagonist's admission of feeling betrayed by their own nature and condemned for believing in themselves underscores a deep sense of self-doubt and vulnerability. This internal turmoil is further emphasized by the repeated acknowledgment of being unable to find strength or security within themselves, suggesting a profound struggle with self-acceptance and the limitations of personal willpower.

The song's refrain, "Não consigo" ("I can't"), echoes the frustration and helplessness of being trapped in a cycle of self-doubt and unfulfilled desires. The imagery of being "imprisoned in the dungeon of sin" and having one's will "submissive to passions" suggests a moral and emotional conflict, where the protagonist feels powerless against their own flaws and impulses. Ultimately, "Confissão" is a poignant exploration of the human condition, capturing the universal quest for meaning, stability, and self-understanding in a world that often feels chaotic and unforgiving.

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  1. Aplicação (II Tm 4.19-22)
  2. Benedictus
  3. Tu, Porém
  4. Até Sozim
  5. Introdução (II Tm 4.1-8)
  6. Auê (A Fé Ganhou) (part. Ana Heloysa, Filipe da Guia e Coletivo Candiero)
  7. Perder
  8. Elucidação (II Tm 4.9-13)
  9. Casa Cheia
  10. Desenvolvimento (II Tm 4.14-18)
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