Uno, Dos Ultraviolento

Los Violadores Los Violadores

The Chaotic Pulse of Rebellion: Analyzing 'Uno, Dos Ultraviolento' by Los Violadores

Los Violadores' song 'Uno, Dos Ultraviolento' is a raw and intense anthem that captures the spirit of rebellion and chaos. The repetitive chant of 'Uno, dos ultraviolento' sets a relentless and aggressive tone, reflecting the band's punk rock ethos. The lyrics are heavily influenced by the dystopian themes of Anthony Burgess's novel 'A Clockwork Orange,' evident in the use of Nadsat, the fictional slang used by the novel's characters. Words like 'débochcas' (girls), 'málchicos' (boys), and 'drencrom' (a drug) are direct nods to the book, creating a vivid picture of a world where violence and anarchy reign supreme.

The song describes a group of young men, referred to as 'drugos,' who are eager to engage in violent and hedonistic activities. The mention of 'militsos' (police) and the ease of their actions without law enforcement presence highlights a society on the brink of collapse. The reference to 'crobo rojo' (red blood) and the violent imagery of attacking and dominating others underscore the song's dark and nihilistic themes. This portrayal of youth rebellion and the rejection of societal norms is a common thread in punk music, and Los Violadores deliver it with unflinching honesty.

The chorus, 'Y ahora qué pasa, eh?' (And now what happens, huh?), serves as a taunt to authority figures and a declaration of defiance. The repeated assertion that 'nos quieren transformar, no lo lograrán' (they want to transform us, they won't succeed) reinforces the band's message of resistance against conformity and control. Los Violadores use their music as a vehicle to express their disdain for societal constraints and their desire for freedom, no matter how chaotic or violent that freedom may be.

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  1. Bajo Un Sol Feliz
  2. Contra La Pared
  3. El Último Hombre
  4. En El Circo
  5. Sin Ataduras
  6. Adicto A Ti
  7. Anita Del Mar
  8. Aunque Se Resistan
  9. Más Allá Del Bien Y Del Mal
  10. Beat Africano
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