Type

Living Colour's song "Type" delves into the complexities and contradictions of modern society, particularly through the lens of postmodernism. The lyrics juxtapose various 'types'—stereotypes, monotypes, blood types—questioning the essence of identity and categorization. The song critiques the superficial labels and constructs that society imposes, suggesting that these labels are often meaningless in the grand scheme of things.

The chorus, "We are the children of concrete and steel," paints a picture of a generation raised in an industrial, urban environment where truth is obscured and lies are eventually exposed. This line underscores the artificiality and constructed nature of modern life. The phrase "Everything is possible, but nothing is real" encapsulates the postmodern dilemma: in a world where boundaries and truths are fluid, the sense of reality becomes elusive.

The song also tackles the influence of corporate religion and media, referring to "Televangahypnotism" and the empty promises of a better afterlife. This critique extends to the blind faith in science and technology, described as the "new mythology." The lyrics suggest that despite advancements and the illusion of progress, there is a pervasive emptiness and lack of genuine meaning. The recurring theme of cyclical events—"Everything that goes around, comes around"—implies a sense of inevitability and the repetitive nature of societal issues.

"Type" is a powerful commentary on the disillusionment and existential angst of living in a postmodern world. It challenges listeners to question the constructs around them and to seek deeper truths in a reality that often feels fabricated and hollow.