Mala

Liliana Felipe's song 'Mala' is a satirical and biting exploration of the concept of 'badness' or 'wickedness.' The word 'mala' translates to 'bad' or 'evil' in English, and Felipe uses it repetitively to emphasize the multifaceted nature of being 'bad.' The song opens with personal grievances, such as not being loved or touched, and quickly escalates to broader societal critiques. Each line is a vivid metaphor, comparing 'mala' to various unpleasant and universally disliked things, from 'bad breath' to 'censorship' and 'misery.'

Felipe's use of hyperbole and dark humor is evident throughout the song. She likens 'mala' to historical and cultural references that evoke strong negative emotions, such as 'the signature of Santa Anna,' a controversial figure in Mexican history, and 'hitting the nanny,' a universally condemned act. These comparisons serve to amplify the song's satirical tone, making it both humorous and thought-provoking. The repetition of 'mala' creates a rhythmic and almost hypnotic effect, driving home the point that 'badness' is pervasive and multifaceted.

The song also delves into the absurdity of societal norms and expectations. By comparing 'mala' to mundane yet universally disliked experiences like 'cold soup' and 'endodontics,' Felipe critiques the arbitrary nature of what society deems 'bad.' The final exclamation, 'pero que bonita chingaos,' adds a layer of irony, suggesting that despite all the negativity, there is something oddly captivating about being 'bad.' This line encapsulates the song's essence, blending humor, critique, and a touch of rebellion.

'Mala' is a complex and layered song that uses satire and metaphor to explore the concept of wickedness. It challenges listeners to question societal norms and reflect on the arbitrary nature of what is considered 'bad.'