Serenata Médio Oriental

Les Luthiers, a renowned Argentine comedy-musical group, are known for their clever wordplay, satirical humor, and musical parodies. In 'Serenata Medio Oriental,' they take the audience on a whimsical journey through Middle Eastern traditions, blending cultural references with their signature comedic style. The song is presented as a serenade composed by the fictional Johann Sebastián Mastropiero, a recurring character in their works, who travels to the Middle East for inspiration.

The narrative begins with Mastropiero's encounter with Abdul, the Imam of the main mosque, who humorously explains the nuances of Muslim practices and the origins of the Bedouins. The wordplay is evident in phrases like 'Muy-sulmanes' for devout Muslims and 'Ma-o-menos' for those less observant, showcasing Les Luthiers' talent for linguistic humor. The description of the Bedouin tribe, with its double entendre on 'nómades' and the playful counting of tribe members, further adds to the comedic tone.

The serenade itself, sung by Daniel Rabinovich, is a parody of traditional love songs, with the groom expressing his love for his twenty future wives. The exaggerated romanticism and the list of names, including the incongruous 'María Angélica,' highlight the absurdity and humor of the situation. The groom's promise of eternal fidelity, humorously qualified by his assurance not to cheat with another harem, and his plea for divine assistance on the wedding night, add layers of irony and satire. Through this piece, Les Luthiers not only entertain but also subtly critique and play with cultural stereotypes, making 'Serenata Medio Oriental' a delightful blend of music, humor, and social commentary.