Jesus, El de La Cruz

Las Manos de Filippi's song "Jesus, El de La Cruz" offers a satirical and humorous take on the story of Jesus, reimagining him as a modern-day figure caught in the struggles of labor and capitalism. The lyrics present a narrative where Jesus, referred to as "el pibe Jesús," is reluctant to work in carpentry, much to the dismay of his father, José. This scenario humorously mirrors the biblical story, with a twist that highlights the economic pressures faced by ordinary families.

The song cleverly uses the character of the Virgin Mary, who supports Jesus's artistic pursuits, suggesting that his talents lie beyond manual labor. This reflects a broader commentary on the value of art and creativity in a world dominated by economic demands. The mention of a contract with "la Universal" for 600 holy cards adds a layer of irony, as it critiques the commercialization of religious figures and the exploitation of artists by large corporations.

As the song progresses, it becomes clear that Jesus's image is being sold without his knowledge, and the profits are enjoyed by others. This serves as a metaphor for how individuals and their talents can be commodified and exploited in capitalist systems. The final lines, where the "capo celestial" punishes those who profit from Jesus's image, add a humorous yet poignant touch, suggesting divine retribution for such exploitation. Overall, the song uses humor and satire to critique societal norms and the commercialization of spirituality and art.