Robert Johnson (Sinfonia do Inferno)

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A Deal with the Devil: The Haunting Tale of 'Robert Johnson (Sinfonia do Inferno)'

The song 'Robert Johnson (Sinfonia do Inferno)' by k a m a i t a c h i delves into the legendary tale of blues musician Robert Johnson, who is rumored to have sold his soul to the devil at the crossroads to achieve unparalleled musical talent. The lyrics paint a vivid picture of a stormy night in Mississippi, where the protagonist waits at the fabled crossroads of Highways 61 and 49, hoping to encounter the devil and make a pact.

The imagery of 'Noites de chuva' (rainy nights) and 'Noite sem Lua' (moonless night) sets a dark and eerie tone, reflecting the protagonist's isolation and desperation. The devil's arrival is marked by the sudden boiling of the Mississippi River, a metaphor for the intense and transformative power of the encounter. The devil takes the protagonist's guitar, tuning it to create 'notas infalíveis, infernais' (infallible, infernal notes), symbolizing the transfer of supernatural musical prowess.

As the devil commands the protagonist to 'mostra que toca blues como ninguém' (show that you play blues like no one else), the song explores themes of ambition, sacrifice, and the haunting consequences of such a deal. The repeated refrain of 'Eu não tenho mais sossego' (I have no more peace) underscores the torment and relentless nightmares that follow the protagonist, haunted by 'medo, vulto, pesadelos, e cães negros' (fear, shadows, nightmares, and black dogs). The song concludes with the devil's final call, signaling the protagonist's ultimate fate and departure from the mortal world, leaving behind a legacy of music born from a 'sinfonia do inferno' (symphony of hell).

The song's narrative is rich with cultural references to the myth of Robert Johnson and the crossroads, a staple in blues folklore. It captures the essence of the blues genre, with its themes of struggle, otherworldly encounters, and the quest for greatness at a steep personal cost.

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  1. O Treco
  2. Miguel em Tempos de Violência
  3. Robert Johnson (Sinfonia do Inferno)
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  6. O Limbo do Menino Sem Olhos
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