Ponto de Logun Edé - No Toque do Aguerê

Juliana D Passos' song "Ponto de Logun Edé - No Toque do Aguerê" is a vibrant homage to the Yoruba deity Logun Edé, a significant figure in Afro-Brazilian culture. The song's lyrics are steeped in the rich traditions of Candomblé, a religion that blends African spiritual practices with elements of Catholicism, brought to Brazil by enslaved Africans. The repetitive and rhythmic structure of the song mirrors the ceremonial music used in Candomblé rituals, specifically the aguerê rhythm, which is associated with the orixá Logun Edé.

Logun Edé is a unique orixá, known for embodying dual aspects of both his parents, Oxum and Oxóssi. The lyrics highlight this duality, noting that Logun Edé spends six months of the year as a hunter like his father Oxóssi, and the other six months as a deity of beauty and wealth like his mother Oxum. This duality is a metaphor for balance and the harmonious coexistence of different qualities within a single entity. The song also references the cleverness of Oxum, who disguises Logun Edé to deceive the old monarch Xangô, showcasing themes of wisdom and strategy.

The repeated phrase "Aê abaissá" is a call to honor and invoke the presence of Logun Edé, creating a sense of communal participation and reverence. The song not only serves as a spiritual invocation but also as a cultural preservation of Yoruba heritage and its adaptation in Brazilian society. By celebrating Logun Edé, Juliana D Passos connects listeners to the ancestral roots and the enduring legacy of Afro-Brazilian traditions.

The song's cultural and spiritual depth is further enriched by its musical composition, which uses traditional instruments and rhythms to evoke the sacred atmosphere of Candomblé rituals. This blend of music and spirituality invites listeners to experience the profound connection between the physical and the divine, a cornerstone of Candomblé practice.