Entendeu o Que Nóis sente?

Jotapê Jotapê

Unmasking the Illusions: A Rapper's Reality Check

Jotapê's song "Entendeu o Que Nóis sente?" is a raw and unfiltered critique of the music industry, particularly focusing on the rap scene in Brazil. The lyrics delve into themes of authenticity, privilege, and the struggles of maintaining one's identity amidst the pressures of fame. Jotapê challenges the self-proclaimed superiority of certain artists, questioning their credibility and the authenticity of their success. The song highlights the disparity between those who claim to be underground and their actual roots, suggesting that some artists have lost touch with their origins and the communities they once represented.

The song also addresses the issue of privilege within the industry, pointing out how some artists benefit from collaborations and connections rather than genuine talent or hard work. Jotapê criticizes the superficiality of fame, likening it to a fleeting trend, much like the variations of COVID-19. The lyrics suggest that some artists are more concerned with maintaining an image rather than staying true to their art and personal values. This critique extends to the personal lives of these artists, as Jotapê accuses them of neglecting their families and personal relationships in pursuit of success.

Ultimately, "Entendeu o Que Nóis sente?" is a call for introspection and authenticity. Jotapê uses his platform to voice the frustrations of those who feel marginalized and overlooked in the industry. The song serves as a reminder that true success is not measured by fame or accolades but by staying true to oneself and one's roots. Through his candid and confrontational lyrics, Jotapê encourages listeners to question the narratives presented by the industry and to seek out genuine artistry and integrity.

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  1. Ruas de São Paulo (part. Magrão e Prado)
  2. Duas Mandraka
  3. primeira mensagem
  4. Mano Underground
  5. Labirinto
  6. Jardim das Flores
  7. Um Brinde à Vida
  8. Gueto Fazendo Dinheiro
  9. Sirene
  10. 4 Manos (part. Brennuz, NLE Dopre e Barreto)
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