First We Take Manhattan

Joe Cocker's rendition of 'First We Take Manhattan' is a powerful and enigmatic song that delves into themes of rebellion, resistance, and transformation. The lyrics, originally written by Leonard Cohen, speak to a sense of disillusionment with the existing system and a desire to overthrow it. The opening lines, 'They sentenced me to twenty years of boredom / For trying to change the system from within,' suggest a protagonist who has been punished for their attempts at reform. This sets the stage for a narrative of retribution and revolution, as the protagonist declares their intention to 'reward them' by taking over major cities, starting with Manhattan and then Berlin.

The song is rich with metaphors and symbolic imagery. The 'signal in the heavens' and the 'birthmark on my skin' can be interpreted as signs of destiny or divine guidance, suggesting that the protagonist's mission is not just personal but also fated. The 'beauty of our weapons' adds a layer of irony, juxtaposing the aesthetic appeal of their tools of rebellion with their destructive potential. This duality reflects the complex nature of revolutionary movements, which often blend idealism with violence.

Cocker's delivery adds an emotional depth to the song, making it not just a call to arms but also a personal lament. The lines 'I'd really like to live beside you baby / I love your body and your spirit and your clothes' introduce a tender, human element, contrasting sharply with the militant tone of the rest of the song. This juxtaposition highlights the personal sacrifices and emotional toll that come with a life of resistance. The repeated refrain, 'First we take Manhattan / Then we take Berlin,' serves as a mantra, reinforcing the relentless drive and ambition of the protagonist's quest for change.