Morning Theft

Jeff Buckley Jeff Buckley

The Haunting Elegance of Jeff Buckley's 'Morning Theft'

Jeff Buckley's 'Morning Theft' is a poignant exploration of love, loss, and the passage of time. The song opens with the line 'Time takes care of the wound,' suggesting that the healing process is inevitable, yet slow. Buckley reflects on a relationship that had much potential ('You had so much to give'), but was marred by deceit and broken promises ('Gifts for bootheels to crush, Promises, deceit'). The act of 'sending it away' implies a need to distance oneself from the pain to find a way back to a place of understanding and reconciliation.

The imagery in the song is both vivid and intimate. Buckley describes a scene where 'Your eyes and body brighten, Silent waters deep,' evoking a sense of quiet beauty and depth in the person he sings about. The mention of 'Your precious daughter in the other room asleep' adds a layer of domestic tranquility, contrasting with the turmoil of the relationship. The line 'A kiss goodnight from every stranger that I meet' suggests a longing for connection and the comfort of familiarity, even in the faces of strangers.

The chorus, 'Morning theft, Unpretender left, Ungraceful,' captures the essence of the song's title. It speaks to the idea of something precious being taken away in the early hours, leaving behind a raw, unfiltered reality. Buckley delves into the complexities of identity and self-acceptance, singing 'True self is what brought you here, to me, A place where we can accept this love.' The song grapples with the remnants of a friendship battered by 'useless history' and 'unexamined failure,' questioning what remains of the relationship and whether it can be salvaged.

In the final verses, Buckley uses metaphors to describe the dynamic between the two individuals: 'You're a woman, I'm a calf, You're a window, I'm a knife.' These lines highlight the inherent differences and the ways they complement and challenge each other. The song concludes with a sense of unresolved longing and melancholy, as Buckley admits, 'I miss my beautiful friend,' underscoring the enduring impact of the relationship and the pain of its absence.

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  1. Lover, You Should've Come Over
  2. Grace
  3. So Real
  4. Forget Her
  5. Everybody Here Wants You
  6. Opened Once
  7. Hallelujah
  8. The Other Woman
  9. Dream Of You and I
  10. All Flowers In Time Bend Towards The Sun (feat. Elisabeth Fraser)
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