The Old Law

Father John Misty's "The Old Law" is a complex tapestry of imagery and metaphor, weaving together themes of existential reflection, societal critique, and personal introspection. The song opens with vivid imagery of a "death mask" and "mismatched soot," suggesting a sense of disillusionment or decay. This sets the stage for a narrative that questions the constructs of modern life and the remnants of traditional beliefs. The mention of "Jesus still lives on me, wren free" hints at the lingering influence of religious or moral codes, even as the protagonist grapples with their relevance in a contemporary context.

The recurring phrase "There's no law but the old law, baby" underscores a tension between the old and the new, suggesting that despite societal advancements, fundamental human experiences and struggles remain unchanged. The song's references to "Year Zero in the summertime" evoke a sense of renewal or starting over, yet this is juxtaposed with the idea of "God's trash," implying that human endeavors are ultimately transient and perhaps futile. The use of terms like "kamikaze" and "slaycation" further adds to the song's critique of modern culture, highlighting the self-destructive tendencies and superficial pursuits that often characterize contemporary life.

Father John Misty's lyrical style is known for its wit and irony, and "The Old Law" is no exception. The song's playful yet poignant language invites listeners to reflect on their own beliefs and the societal norms they navigate. By blending personal musings with broader cultural commentary, Misty crafts a song that is both introspective and outward-looking, challenging listeners to consider the enduring impact of "the old law" in their own lives.