Centauros (part. Sant)

In 'Centauros,' Fabio Brazza, featuring Sant, delves into the complexities of modern society, using rap as a medium to express his frustrations and hopes. The song opens with Brazza reflecting on the pursuit of wisdom through music in a world that often seems senseless. He highlights the paradox of living in a country where pharmacies outnumber bookstores, suggesting a societal preference for quick fixes over intellectual growth. This sets the stage for a broader critique of how rap music and its themes can influence young minds, referencing the tragic fates of artists like Biggie, Tupac, and Mac Miller.

Brazza's lyrics also touch on the superficiality of social media culture, where likes and followers often overshadow genuine human connection. He contrasts the fleeting nature of online validation with the enduring impact of meaningful art, urging listeners to focus on substance over hype. The line 'Hitler had millions, Jesus only had twelve' serves as a stark reminder that popularity does not equate to righteousness or truth. This sentiment is further emphasized by the call to 'throw your hands to the sky and your weapons to the ground,' advocating for peace and introspection over violence and materialism.

Sant's verse adds another layer of introspection, exploring themes of existential uncertainty and the search for meaning. He grapples with the idea that suffering might be inherent to the human condition, yet he also acknowledges the potential for personal growth and transformation. The imagery of the hourglass and the balance between errors and honors encapsulates the struggle to find purpose in a chaotic world. Together, Brazza and Sant create a powerful narrative that challenges listeners to look beyond the surface and engage with the deeper issues affecting society.