La Alucinada (part. Mex Urtizberea)

Eugenia Quevedo's "La Alucinada" is a vibrant celebration of the traditional Argentine zamba, a dance and musical form deeply rooted in the cultural fabric of the country. The song paints a vivid picture of a mystical and romantic encounter, where the zamba itself becomes a living entity, weaving through the lives and memories of those it touches. The lyrics evoke a sense of enchantment, with references to "engualichados" eyes and a "boquita de miel," suggesting a bewitching allure and sweetness that captivates the singer.

The song is set against the backdrop of Salta, a region in Argentina known for its rich folklore and musical heritage. The mention of "Cerrillos" and "Marcos Tames" grounds the narrative in a specific cultural and geographical context, adding layers of authenticity and nostalgia. The imagery of "trenzas bien renegridas" and "la flor de un clavel" further enriches the song with symbols of beauty and passion, common themes in zamba music. The recurring motif of the zamba "alucinada en los pañuelos" suggests a dance that is both mesmerizing and deeply intertwined with the emotions of love and longing.

The collaboration with Mex Urtizberea adds a unique dimension to the song, blending Quevedo's powerful vocals with Urtizberea's distinctive style. The repeated refrain "Salta en mi sangre, salta en tu piel" emphasizes the visceral connection between the music, the dancers, and the land itself. The use of "Zamba Luna albahaca y laurel" invokes traditional elements, creating a sensory experience that invites listeners to immerse themselves in the dance and its cultural significance. Ultimately, "La Alucinada" is a tribute to the enduring spirit of zamba, a dance that continues to inspire and unite people across generations.