Anidando Liendres

Enrique Bunbury's song 'Anidando Liendres' delves into the complexities of human desire, societal expectations, and the often blurred lines between public and private personas. The song opens with a vivid depiction of a performance, where the protagonist imagines the intimate aspects of another's anatomy, suggesting a deep yearning and curiosity. This imagery sets the stage for a narrative that explores the tension between public appearances and private desires. The lyrics mention 'miradas asesinas de felina ofendida,' indicating a fierce, almost predatory gaze, which contrasts with the vulnerability of 'elevando la frente,' or raising one's head in a gesture of defiance or pride.

The song continues to explore themes of discretion and the commodification of love and intimacy. Bunbury critiques the superficiality of modern relationships, likening them to 'amores de revista de papel cuché,' or love stories from glossy magazines. This metaphor underscores the artificiality and performative nature of contemporary romance, where appearances often take precedence over genuine connection. The line 'la oferta y la demanda, es la que manda' highlights the transactional nature of these relationships, governed by supply and demand rather than true emotional bonds.

In the final verse, Bunbury juxtaposes the absurdity of wasting time on trivial matters with the global context of war and peace. He references 'Bush' as a symbol of conflict and contrasts it with the 'voluntarios, misioneros del pubis y el brasier,' or volunteers and missionaries of intimacy. This contrast serves to elevate the act of love-making to a noble cause, a form of resistance against the chaos of the world. The repeated phrase 'anidando liendres,' which translates to 'nesting nits,' serves as a metaphor for the small, often overlooked details that accumulate and shape our lives and relationships. It suggests a process of nurturing and growth, even in the most unexpected places.